Saint Laurent Rive Droite displays the works of photographer James Barnor


Picture: James Barnor courtesy of Galerie Clémentine de la Feronnière

With a profession spanning over six a long time, photographer James Barnor is a famend determine within the historical past of pictures. The Ghanaian designer’s lenses have witnessed and immortalized vital societal occasions. In his house nation of Ghana, his studio in Accra was the place black and white portraits have been made towards the backdrop of a nation getting ready to say sovereignty.

Picture: James Barnor courtesy of Galerie Clémentine de la Feronnière

In addition to being a portrait painter, Barnor was a photojournalist and photographed figures reminiscent of Kwame Nkrumah, Ghana’s first chief after independence; Princess Marina, Duchess of Kent; and Vice President Richard Nixon, amongst others. Within the Sixties Barnor moved to London, the place he pursued future research in pictures and settled down, and through this era he additionally contributed to Drum journal. Her contribution to the journal helped rethink the usual for the fragile portrayal of black magnificence, grace, and elegance.

Picture: James Barnor courtesy of Galerie Clémentine de la Feronnière

At 93, he’s nonetheless younger at coronary heart and concerned with pictures. For the brand new exhibition of the Saint Laurent Rive Droite boutiques in Paris and Los Angeles, the inventive director Anthony Vaccarello invitations Barnor to current a choice of images with the assist of the Galerie Clémentine de La Féronnière.

These pictures, in black and white and in colour, function symbols of a dwelling and interesting Afro-modernism and provide an surprising window right into a surprisingly modern and exquisite visible world. About twenty images might be exhibited in a single or different of the Saint Laurent Droite venues reminiscent of “RUM MODEL”, “LONDON, C.1965-1966” or “DRUM COVER GIRL ERLIN IBRECK”, “KILBURN, LONDON, 1966”. A catalog of the exhibition may even be stocked in shops.

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Picture: James Barnor courtesy of Galerie Clémentine de la Feronnière

Together with the exhibit, Barnor might be joined by fellow photographer Campbell Addy, and they’re going to focus on a wide range of matters. From the previous’s first steps in pictures, his tackle vogue imagery, his strategy to black and white movie versus colour, and the significance of passing on data to future generations, the duo’s dialog could be considered beneath.

Like Barnor, Addy is a Ghanaian-born British photographer. Addy, born in 1999, acknowledged James as her ethical and inventive position mannequin. Their connection enriches one another and is a effective instance of the generational dialogue that Barnor describes so poetically.

For extra artwork readings, click on right here.


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